Inspiration
These pieces have the power to uplift and energize, leaving the viewer feeling inspired and empowered. They often exhibit a sense of dynamism and movement, capturing the essence of passion and enthusiasm. The artworks can also convey a sense of wonder and curiosity, inviting viewers to explore new ideas and perspectives.
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Theme & Symbolism
MAJIK is the pure power of manifestation. Manifestation" is Latin "manufestus" meaning "palpable"/“manifest” and "manus" meaning "hand".
MAJIK is not magic. Without external tools, it is the original Co-creation, the directing of energies in a certain way, the management of the energy of intention. If we could see/sense and consciously direct the energies that make up both matter and consciousness itself, we would understand the effect of how the power of the mind manifests and what ultimately materializes.
Every creative process is a Majik - magical activity, where code-info passing through many different consciousness filters arrives in this density translated into the language of matter.
In the large-scale canvases of the triptych, hand-like figurative elements reduced to a minimum, reliefs and spontaneous painterly gestures, linework reflecting a more profound attention to detail, alternate with each other to create the basis for the dynamic principle of the work.
In the painting, the colour palette, dominated by a subdued white-blue-black-grey colour scheme, interspersed with silvery-gold hues, is a reference to this particular mystical event, which is the "Majik" itself.
suggested for: living room, office space
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suggested for: home corridor, office room
(Read artist profile)
Theme
Symbolism
What is the nature of reality? Are we the dreamers or are we being dreamed?
"We can come close to “Waking Up” if we dream that we are dreaming" (Novalis, German poet)
The Great Awakening is an insight into illusion and reality and their conditionality, where there is no "more real reality", since our access to "reality" is always mediated only through our experiences.
Part of the paradox is the question of how we anchor our consciousness to an identity. If we contemplate our waking dreams, once we start "contemplating" we are no longer fully present.
The dream experience described in the anecdote of Zhuangzi and the butterfly is a sense of self-awareness and two-self. It is a symbolic parallel to the dichotomy of life-death or waking-dream, or the dichotomy of any segmented state in a series of transformations. In other words, the anecdote symbolizes the tension between self and ego, between the physical and the spiritual soul, while the butterfly symbol itself represents, in a broader sense, the order of nature and the necessary "transformation".
The relief-like layers and the contrasting translucent surfaces represent a contrast between physical reality and dream, while the composition of the pictorial elements suggests a dream within a dream, a meaning reinforced by the deliberately fairy-tale-like representation and the spatiality of the 'wings' of the screen character itself.
In the Keylontic sciences, the representation of the 'sacred butterfly' represents the open circulation of energy, of frequency, from the higher dimensions to the lower dimensions and back again. There is a great deal of interconnectedness here, across dimensional levels, with other structural levels and ultimately with Source and the conscious self identity.
Find the price by color
Theme & Symbolism
MAJIK is the pure power of manifestation. Manifestation" is Latin "manufestus" meaning "palpable"/“manifest” and "manus" meaning "hand".
MAJIK is not magic. Without external tools, it is the original Co-creation, the directing of energies in a certain way, the management of the energy of intention. If we could see/sense and consciously direct the energies that make up both matter and consciousness itself, we would understand the effect of how the power of the mind manifests and what ultimately materializes.
Every creative process is a Majik - magical activity, where code-info passing through many different consciousness filters arrives in this density translated into the language of matter.
In the large-scale canvases of the triptych, hand-like figurative elements reduced to a minimum, reliefs and spontaneous painterly gestures, linework reflecting a more profound attention to detail, alternate with each other to create the basis for the dynamic principle of the work.
In the painting, the colour palette, dominated by a subdued white-blue-black-grey colour scheme, interspersed with silvery-gold hues, is a reference to this particular mystical event, which is the "Majik" itself.
suggested for: living room, office space
(Read artist profile)
Close this artwork
Find the price by color
suggested for: home corridor, office room
(Read artist profile)
Theme
Symbolism
What is the nature of reality? Are we the dreamers or are we being dreamed?
"We can come close to “Waking Up” if we dream that we are dreaming" (Novalis, German poet)
The Great Awakening is an insight into illusion and reality and their conditionality, where there is no "more real reality", since our access to "reality" is always mediated only through our experiences.
Part of the paradox is the question of how we anchor our consciousness to an identity. If we contemplate our waking dreams, once we start "contemplating" we are no longer fully present.
The dream experience described in the anecdote of Zhuangzi and the butterfly is a sense of self-awareness and two-self. It is a symbolic parallel to the dichotomy of life-death or waking-dream, or the dichotomy of any segmented state in a series of transformations. In other words, the anecdote symbolizes the tension between self and ego, between the physical and the spiritual soul, while the butterfly symbol itself represents, in a broader sense, the order of nature and the necessary "transformation".
The relief-like layers and the contrasting translucent surfaces represent a contrast between physical reality and dream, while the composition of the pictorial elements suggests a dream within a dream, a meaning reinforced by the deliberately fairy-tale-like representation and the spatiality of the 'wings' of the screen character itself.
In the Keylontic sciences, the representation of the 'sacred butterfly' represents the open circulation of energy, of frequency, from the higher dimensions to the lower dimensions and back again. There is a great deal of interconnectedness here, across dimensional levels, with other structural levels and ultimately with Source and the conscious self identity.
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Theme
Symbolism
On the surfaces of the paintings "Twenty-three and a Half", the landscapes with their surreal atmosphere, the shapes suggesting dynamic movement and the reliefs in relief, which give the illusion of light and darkness, suggest the relative nature of things "near" and "far" respectively.
Coded visions translated into the language of matter create unusual, seemingly new "fields of reality".
Ultimately, what is "important", what is significant and what is insignificant, what is micro and what is macro, is determined only by the person who focuses.
There is a web of connections between invisible events and visible, measurable phenomena that we cannot see and therefore cannot measure - so our choice is ultimately always the same: to ignore 'information' coming through intuitive channels in favour of what we can see and measure.
Forgetting that the conditions of our existence are in fact created by invisible larger conditions... Whether it be the Earth as a planetary body ... ( 23.5 degrees is exactly the tilt of the Earth's axis... )
suggested for: home corridor, office room, living room
(Read artist profile)
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Theme
Symbolism
On the surfaces of the paintings "Twenty-three and a Half", the landscapes with their surreal atmosphere, the shapes suggesting dynamic movement and the reliefs in relief, which give the illusion of light and darkness, suggest the relative nature of things "near" and "far" respectively.
Coded visions translated into the language of matter create unusual, seemingly new "fields of reality".
Ultimately, what is "important", what is significant and what is insignificant, what is micro and what is macro, is determined only by the person who focuses.
There is a web of connections between invisible events and visible, measurable phenomena that we cannot see and therefore cannot measure - so our choice is ultimately always the same: to ignore 'information' coming through intuitive channels in favour of what we can see and measure.
Forgetting that the conditions of our existence are in fact created by invisible larger conditions... Whether it be the Earth as a planetary body ... ( 23.5 degrees is exactly the tilt of the Earth's axis... )
suggested for: home corridor, office room, living room
(Read artist profile)
Close this artwork
Find the price by color
Theme
Symbolism
On the surfaces of the paintings "Twenty-three and a Half", the landscapes with their surreal atmosphere, the shapes suggesting dynamic movement and the reliefs in relief, which give the illusion of light and darkness, suggest the relative nature of things "near" and "far" respectively.
Coded visions translated into the language of matter create unusual, seemingly new "fields of reality".
Ultimately, what is "important", what is significant and what is insignificant, what is micro and what is macro, is determined only by the person who focuses.
There is a web of connections between invisible events and visible, measurable phenomena that we cannot see and therefore cannot measure - so our choice is ultimately always the same: to ignore 'information' coming through intuitive channels in favour of what we can see and measure.
Forgetting that the conditions of our existence are in fact created by invisible larger conditions... Whether it be the Earth as a planetary body ... ( 23.5 degrees is exactly the tilt of the Earth's axis... )
suggested for: home corridor, office room, living room
(Read artist profile)
Close this artwork
Find the price by color
suggested for: home corridor, office room
(Read artist profile)
Theme
Symbolism
On the surfaces of the paintings "Twenty-three and a Half", the landscapes with their surreal atmosphere, the shapes suggesting dynamic movement and the reliefs in relief, which give the illusion of light and darkness, suggest the relative nature of things "near" and "far" respectively.
Coded visions translated into the language of matter create unusual, seemingly new "fields of reality".
Ultimately, what is "important", what is significant and what is insignificant, what is micro and what is macro, is determined only by the person who focuses.
There is a web of connections between invisible events and visible, measurable phenomena that we cannot see and therefore cannot measure - so our choice is ultimately always the same: to ignore 'information' coming through intuitive channels in favour of what we can see and measure.
Forgetting that the conditions of our existence are in fact created by invisible larger conditions... Whether it be the Earth as a planetary body ... ( 23.5 degrees is exactly the tilt of the Earth's axis... )
Find the price by color
suggested for: home corridor, office room
(Read artist profile)
Theme
Symbolism
On the surfaces of the paintings "Twenty-three and a Half", the landscapes with their surreal atmosphere, the shapes suggesting dynamic movement and the reliefs in relief, which give the illusion of light and darkness, suggest the relative nature of things "near" and "far" respectively.
Coded visions translated into the language of matter create unusual, seemingly new "fields of reality".
Ultimately, what is "important", what is significant and what is insignificant, what is micro and what is macro, is determined only by the person who focuses.
There is a web of connections between invisible events and visible, measurable phenomena that we cannot see and therefore cannot measure - so our choice is ultimately always the same: to ignore 'information' coming through intuitive channels in favour of what we can see and measure.
Forgetting that the conditions of our existence are in fact created by invisible larger conditions... Whether it be the Earth as a planetary body ... ( 23.5 degrees is exactly the tilt of the Earth's axis... )
Find the price by color
suggested for: home corridor, office room
(Read artist profile)
Theme
Symbolism
On the surfaces of the paintings "Twenty-three and a Half", the landscapes with their surreal atmosphere, the shapes suggesting dynamic movement and the reliefs in relief, which give the illusion of light and darkness, suggest the relative nature of things "near" and "far" respectively.
Coded visions translated into the language of matter create unusual, seemingly new "fields of reality".
Ultimately, what is "important", what is significant and what is insignificant, what is micro and what is macro, is determined only by the person who focuses.
There is a web of connections between invisible events and visible, measurable phenomena that we cannot see and therefore cannot measure - so our choice is ultimately always the same: to ignore 'information' coming through intuitive channels in favour of what we can see and measure.
Forgetting that the conditions of our existence are in fact created by invisible larger conditions... Whether it be the Earth as a planetary body ... ( 23.5 degrees is exactly the tilt of the Earth's axis... )
Find the price by color
Theme & Symbolism
"Shining" is a series that I began in January 2024, using spray paint and pastel chalk. The artworks in this collection are created in a serene and mesmerizing style. Objects seem to float in space, with surfaces having a subtle plasticity that allows the focus to shift to the interplay of colors and shapes.
The deliberate arrangement of colored spots and the flowing shapes guide the viewer's gaze, inviting them to explore a unique visual realm within the artwork.
suggested for: living room, corridor, kids room
(Read artist profile)
Close this artwork
Find the price by color
Theme & Symbolism
"Shining" is a series that I began in January 2024, using spray paint and pastel chalk. The artworks in this collection are created in a serene and mesmerizing style. Objects seem to float in space, with surfaces having a subtle plasticity that allows the focus to shift to the interplay of colors and shapes.
The deliberate arrangement of colored spots and the flowing shapes guide the viewer's gaze, inviting them to explore a unique visual realm within the artwork.
suggested for: living room, corridor, kids room
(Read artist profile)
Close this artwork
Find the price by color
(Read artist profile)
Theme & Symbolism
"Shining" is a series that I began in January 2024, using spray paint and pastel chalk. The artworks in this collection are created in a serene and mesmerizing style. Objects seem to float in space, with surfaces having a subtle plasticity that allows the focus to shift to the interplay of colors and shapes.
The deliberate arrangement of colored spots and the flowing shapes guide the viewer's gaze, inviting them to explore a unique visual realm within the artwork.
suggested for: living room, corridor, office
Find the price by color
(Read artist profile)
Theme & Symbolism
"Shining" is a series that I began in January 2024, using spray paint and pastel chalk. The artworks in this collection are created in a serene and mesmerizing style. Objects seem to float in space, with surfaces having a subtle plasticity that allows the focus to shift to the interplay of colors and shapes.
The deliberate arrangement of colored spots and the flowing shapes guide the viewer's gaze, inviting them to explore a unique visual realm within the artwork.
suggested for: living room, corridor, office