Aliz Sipos is a Hungarian painter who pushes the boundaries of self-expression through her exploration of form and texture in her works of art. Embracing the principles of art informel, introduced by French artist and critic Michel Tapie in 1952, Aliz seeks to break free from the constraints of traditional shapes and forms to create a sense of openness and fluidity in her art. Her goal is to keep the image completely open during free movement and experimentation, allowing for a more dynamic and unrestrained creative process.
Abstract, informal painting in Hungary has strong ties to renowned artists like Judit Reigl, Ferenc Fiedler, and Tamás Hencze. Aliz is often linked to the innovative approaches and techniques of these artists. She enjoys immersing herself in the history and theory of abstract and formless art, drawing inspiration from their idealism and practical methods.
Her vision is to challenge the limitations of the material world and create a space for unlimited self-expression and creativity.
VISION
At the core of Aliz's mission is a dedication to exploring new possibilities in art and pushing the boundaries of what is considered conventional. By experimenting with different materials and adding texture to her works, she is able to create a sense of depth and complexity that invites viewers to engage with her art on a deeper level.
Aliz's values are rooted in the belief that art should be a reflection of the artist's innermost thoughts and emotions, free from the constraints of societal norms and expectations. Themes of freedom, experimentation, and self-discovery are prevalent in Aliz's art, reflecting her commitment to pushing the boundaries of traditional artistic conventions.
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"Membraneverse" is the title of one of my series, where the concept of a membrane represents an enclosure or limitation, drawing from its biological significance. In my artistic journey, I often find myself grappling with form, occasionally encountering obstacles or "membranes" that create barriers between my creations and me. These barriers, akin to blocks, are surprisingly relatable in the realm of art reception and psychology, as we all face our own internal barriers."
Just as biological membranes are crucial for cellular life, shaping the internal composition of cells, the imagery in Membraneverse functions similarly in the art world. Amorphous shapes enclosed within delimited boundaries float as distinct entities within the artwork, juxtaposed against a vast, open space. This interplay mirrors the complexities found in microbiology, where boundaries and free space coexist in harmony. (Source: Taurus Cornu Petit - What is art informal? podcast conversation)
suggested for: home corridor, office room
Close this artwork
The work "Repetitions and repetitions" is also another example of the already mentioned background/figure duality - form as repression. Shapeless signs that resemble wounds and soak up paint, repeating a single theme, enliven the screen printing technique of pop art, however, instead of a mechanical process, the manually inflicted wounds create a perforated membrane from the background, which produces permeable cuts in a ribbon-like manner - these distinguishing metaphysical trickles continue they continue the tradition of the dialectical movement of photorealism-abstraction primarily associated with Richter and Polke, and present a new version of the psychoanalytic dynamic of masking/sighting. The retro-fetishistic relationship between contemporary neo-abstraction and manual processes points to the post-production tendencies of abstract painting suffering from a lack of future vectors and critical imperatives[1], which alienates it from the community and banishes this aesthetic to an individual space-time. Alíz Menta Sipos takes advantage of this vulnerability to space-time - the conscious attraction to radical solitude and confinement, the nihilistic attitude gives release from the eternal cycle and escapes her works from dozens of abstracts that blindly apply Greenbergian-formalist principles. (Laura Győrfi - Artportal)
suggested for: home corridor, office room
Close this artwork
"Membraneverse" is the title of one of my series, where the concept of a membrane represents an enclosure or limitation, drawing from its biological significance. In my artistic journey, I often find myself grappling with form, occasionally encountering obstacles or "membranes" that create barriers between my creations and me. These barriers, akin to blocks, are surprisingly relatable in the realm of art reception and psychology, as we all face our own internal barriers."
Just as biological membranes are crucial for cellular life, shaping the internal composition of cells, the imagery in Membraneverse functions similarly in the art world. Amorphous shapes enclosed within delimited boundaries float as distinct entities within the artwork, juxtaposed against a vast, open space. This interplay mirrors the complexities found in microbiology, where boundaries and free space coexist in harmony. (Source: Taurus Cornu Petit - What is art informal? podcast conversation)
suggested for: home corridor, office room
Close this artwork
It is important for both the artwork and the artist to tap into their raw and authentic reality, free from logic and comprehension. We need to acknowledge that all these aspects exist within us simultaneously and embrace them in a secure environment. It may be our role to bridge the gap between our inner selves and others. I believe that beyond our sophisticated communication efforts, we also require raw, unfiltered encounters. Informal painting, with its abstract expression in creation and reception, serves as a powerful conduit for this profound connection, allowing for direct and unmediated engagement.
The concept of freedom of the press extends to freedom of art as well. Does art abide by restrictions on expression? Can artistic form restrict what needs to be conveyed in a different context? What boundaries govern the transfer of ideas into print? These questions challenge the confines of verbal communication.
suggested for: home corridor, office room
Close this artwork
It is important for both the artwork and the artist to tap into their raw and authentic reality, free from logic and comprehension. We need to acknowledge that all these aspects exist within us simultaneously and embrace them in a secure environment. It may be our role to bridge the gap between our inner selves and others. I believe that beyond our sophisticated communication efforts, we also require raw, unfiltered encounters. Informal painting, with its abstract expression in creation and reception, serves as a powerful conduit for this profound connection, allowing for direct and unmediated engagement.
suggested for: home corridor, office room
Close this artwork
It is important for both the artwork and the artist to tap into their raw and authentic reality, free from logic and comprehension. We need to acknowledge that all these aspects exist within us simultaneously and embrace them in a secure environment. It may be our role to bridge the gap between our inner selves and others. I believe that beyond our sophisticated communication efforts, we also require raw, unfiltered encounters. Informal painting, with its abstract expression in creation and reception, serves as a powerful conduit for this profound connection, allowing for direct and unmediated engagement.
suggested for: home corridor, office room
Close this artwork
It is important for both the artwork and the artist to tap into their raw and authentic reality, free from logic and comprehension. We need to acknowledge that all these aspects exist within us simultaneously and embrace them in a secure environment. It may be our role to bridge the gap between our inner selves and others. I believe that beyond our sophisticated communication efforts, we also require raw, unfiltered encounters. Informal painting, with its abstract expression in creation and reception, serves as a powerful conduit for this profound connection, allowing for direct and unmediated engagement.
suggested for: home corridor, office room
Close this artwork
It is important for both the artwork and the artist to tap into their raw and authentic reality, free from logic and comprehension. We need to acknowledge that all these aspects exist within us simultaneously and embrace them in a secure environment. It may be our role to bridge the gap between our inner selves and others. I believe that beyond our sophisticated communication efforts, we also require raw, unfiltered encounters. Informal painting, with its abstract expression in creation and reception, serves as a powerful conduit for this profound connection, allowing for direct and unmediated engagement.
suggested for: home corridor, office room
Close this artwork
It is important for both the artwork and the artist to tap into their raw and authentic reality, free from logic and comprehension. We need to acknowledge that all these aspects exist within us simultaneously and embrace them in a secure environment. It may be our role to bridge the gap between our inner selves and others. I believe that beyond our sophisticated communication efforts, we also require raw, unfiltered encounters. Informal painting, with its abstract expression in creation and reception, serves as a powerful conduit for this profound connection, allowing for direct and unmediated engagement.
suggested for: home corridor, office room
Close this artwork
It is important for both the artwork and the artist to tap into their raw and authentic reality, free from logic and comprehension. We need to acknowledge that all these aspects exist within us simultaneously and embrace them in a secure environment. It may be our role to bridge the gap between our inner selves and others. I believe that beyond our sophisticated communication efforts, we also require raw, unfiltered encounters. Informal painting, with its abstract expression in creation and reception, serves as a powerful conduit for this profound connection, allowing for direct and unmediated engagement.
suggested for: home corridor, office room
Close this artwork
It is important for both the artwork and the artist to tap into their raw and authentic reality, free from logic and comprehension. We need to acknowledge that all these aspects exist within us simultaneously and embrace them in a secure environment. It may be our role to bridge the gap between our inner selves and others. I believe that beyond our sophisticated communication efforts, we also require raw, unfiltered encounters. Informal painting, with its abstract expression in creation and reception, serves as a powerful conduit for this profound connection, allowing for direct and unmediated engagement.
suggested for: home corridor, office room
Close this artwork
It is important for both the artwork and the artist to tap into their raw and authentic reality, free from logic and comprehension. We need to acknowledge that all these aspects exist within us simultaneously and embrace them in a secure environment. It may be our role to bridge the gap between our inner selves and others. I believe that beyond our sophisticated communication efforts, we also require raw, unfiltered encounters. Informal painting, with its abstract expression in creation and reception, serves as a powerful conduit for this profound connection, allowing for direct and unmediated engagement.
suggested for: home corridor, office room
Close this artwork
It is important for both the artwork and the artist to tap into their raw and authentic reality, free from logic and comprehension. We need to acknowledge that all these aspects exist within us simultaneously and embrace them in a secure environment. It may be our role to bridge the gap between our inner selves and others. I believe that beyond our sophisticated communication efforts, we also require raw, unfiltered encounters. Informal painting, with its abstract expression in creation and reception, serves as a powerful conduit for this profound connection, allowing for direct and unmediated engagement.
suggested for: home corridor, office room
Close this artwork
"Membraneverse" is the title of one of my series, where the concept of a membrane represents an enclosure or limitation, drawing from its biological significance. In my artistic journey, I often find myself grappling with form, occasionally encountering obstacles or "membranes" that create barriers between my creations and me. These barriers, akin to blocks, are surprisingly relatable in the realm of art reception and psychology, as we all face our own internal barriers."
Just as biological membranes are crucial for cellular life, shaping the internal composition of cells, the imagery in Membraneverse functions similarly in the art world. Amorphous shapes enclosed within delimited boundaries float as distinct entities within the artwork, juxtaposed against a vast, open space. This interplay mirrors the complexities found in microbiology, where boundaries and free space coexist in harmony. (Source: Taurus Cornu Petit - What is art informal? podcast conversation)
suggested for: home corridor, office room
The work "Repetitions and repetitions" is also another example of the already mentioned background/figure duality - form as repression. Shapeless signs that resemble wounds and soak up paint, repeating a single theme, enliven the screen printing technique of pop art, however, instead of a mechanical process, the manually inflicted wounds create a perforated membrane from the background, which produces permeable cuts in a ribbon-like manner - these distinguishing metaphysical trickles continue they continue the tradition of the dialectical movement of photorealism-abstraction primarily associated with Richter and Polke, and present a new version of the psychoanalytic dynamic of masking/sighting. The retro-fetishistic relationship between contemporary neo-abstraction and manual processes points to the post-production tendencies of abstract painting suffering from a lack of future vectors and critical imperatives[1], which alienates it from the community and banishes this aesthetic to an individual space-time. Alíz Menta Sipos takes advantage of this vulnerability to space-time - the conscious attraction to radical solitude and confinement, the nihilistic attitude gives release from the eternal cycle and escapes her works from dozens of abstracts that blindly apply Greenbergian-formalist principles.
(Laura Győrfi - Artportal)
suggested for: home corridor, office room
"Membraneverse" is the title of one of my series, where the concept of a membrane represents an enclosure or limitation, drawing from its biological significance. In my artistic journey, I often find myself grappling with form, occasionally encountering obstacles or "membranes" that create barriers between my creations and me. These barriers, akin to blocks, are surprisingly relatable in the realm of art reception and psychology, as we all face our own internal barriers."
Just as biological membranes are crucial for cellular life, shaping the internal composition of cells, the imagery in Membraneverse functions similarly in the art world. Amorphous shapes enclosed within delimited boundaries float as distinct entities within the artwork, juxtaposed against a vast, open space. This interplay mirrors the complexities found in microbiology, where boundaries and free space coexist in harmony. (Source: Taurus Cornu Petit - What is art informal? podcast conversation)
suggested for: home corridor, office room
It is important for both the artwork and the artist to tap into their raw and authentic reality, free from logic and comprehension. We need to acknowledge that all these aspects exist within us simultaneously and embrace them in a secure environment. It may be our role to bridge the gap between our inner selves and others. I believe that beyond our sophisticated communication efforts, we also require raw, unfiltered encounters. Informal painting, with its abstract expression in creation and reception, serves as a powerful conduit for this profound connection, allowing for direct and unmediated engagement.
The concept of freedom of the press extends to freedom of art as well. Does art abide by restrictions on expression? Can artistic form restrict what needs to be conveyed in a different context? What boundaries govern the transfer of ideas into print? These questions challenge the confines of verbal communication.
suggested for: home corridor, office room
It is important for both the artwork and the artist to tap into their raw and authentic reality, free from logic and comprehension. We need to acknowledge that all these aspects exist within us simultaneously and embrace them in a secure environment. It may be our role to bridge the gap between our inner selves and others. I believe that beyond our sophisticated communication efforts, we also require raw, unfiltered encounters. Informal painting, with its abstract expression in creation and reception, serves as a powerful conduit for this profound connection, allowing for direct and unmediated engagement.
suggested for: home corridor, office room
It is important for both the artwork and the artist to tap into their raw and authentic reality, free from logic and comprehension. We need to acknowledge that all these aspects exist within us simultaneously and embrace them in a secure environment. It may be our role to bridge the gap between our inner selves and others. I believe that beyond our sophisticated communication efforts, we also require raw, unfiltered encounters. Informal painting, with its abstract expression in creation and reception, serves as a powerful conduit for this profound connection, allowing for direct and unmediated engagement.
suggested for: home corridor, office room
It is important for both the artwork and the artist to tap into their raw and authentic reality, free from logic and comprehension. We need to acknowledge that all these aspects exist within us simultaneously and embrace them in a secure environment. It may be our role to bridge the gap between our inner selves and others. I believe that beyond our sophisticated communication efforts, we also require raw, unfiltered encounters. Informal painting, with its abstract expression in creation and reception, serves as a powerful conduit for this profound connection, allowing for direct and unmediated engagement.
suggested for: home corridor, office room
It is important for both the artwork and the artist to tap into their raw and authentic reality, free from logic and comprehension. We need to acknowledge that all these aspects exist within us simultaneously and embrace them in a secure environment. It may be our role to bridge the gap between our inner selves and others. I believe that beyond our sophisticated communication efforts, we also require raw, unfiltered encounters. Informal painting, with its abstract expression in creation and reception, serves as a powerful conduit for this profound connection, allowing for direct and unmediated engagement.
suggested for: home corridor, office room
It is important for both the artwork and the artist to tap into their raw and authentic reality, free from logic and comprehension. We need to acknowledge that all these aspects exist within us simultaneously and embrace them in a secure environment. It may be our role to bridge the gap between our inner selves and others. I believe that beyond our sophisticated communication efforts, we also require raw, unfiltered encounters. Informal painting, with its abstract expression in creation and reception, serves as a powerful conduit for this profound connection, allowing for direct and unmediated engagement.
suggested for: home corridor, office room
It is important for both the artwork and the artist to tap into their raw and authentic reality, free from logic and comprehension. We need to acknowledge that all these aspects exist within us simultaneously and embrace them in a secure environment. It may be our role to bridge the gap between our inner selves and others. I believe that beyond our sophisticated communication efforts, we also require raw, unfiltered encounters. Informal painting, with its abstract expression in creation and reception, serves as a powerful conduit for this profound connection, allowing for direct and unmediated engagement.
suggested for: home corridor, office room
It is important for both the artwork and the artist to tap into their raw and authentic reality, free from logic and comprehension. We need to acknowledge that all these aspects exist within us simultaneously and embrace them in a secure environment. It may be our role to bridge the gap between our inner selves and others. I believe that beyond our sophisticated communication efforts, we also require raw, unfiltered encounters. Informal painting, with its abstract expression in creation and reception, serves as a powerful conduit for this profound connection, allowing for direct and unmediated engagement.
suggested for: home corridor, office room
It is important for both the artwork and the artist to tap into their raw and authentic reality, free from logic and comprehension. We need to acknowledge that all these aspects exist within us simultaneously and embrace them in a secure environment. It may be our role to bridge the gap between our inner selves and others. I believe that beyond our sophisticated communication efforts, we also require raw, unfiltered encounters. Informal painting, with its abstract expression in creation and reception, serves as a powerful conduit for this profound connection, allowing for direct and unmediated engagement.
suggested for: home corridor, office room
It is important for both the artwork and the artist to tap into their raw and authentic reality, free from logic and comprehension. We need to acknowledge that all these aspects exist within us simultaneously and embrace them in a secure environment. It may be our role to bridge the gap between our inner selves and others. I believe that beyond our sophisticated communication efforts, we also require raw, unfiltered encounters. Informal painting, with its abstract expression in creation and reception, serves as a powerful conduit for this profound connection, allowing for direct and unmediated engagement.
suggested for: home corridor, office room