Anna Boglárka Tóth
(1998- ), Hungary
Sculptor
"In my art, I interpret and use the symbol system of different cultures as projected images of human consciousness."
Anna is a talented Hungarian artist who specializes in working with metal to create beautiful organic shapes. Her work is based on the principle of clitocybe mushrooms funnel like organization and shape, exploring their precise funnels and regular joining possibilities as well as the assembly of softer geometric compositions like the deformed funnels.
Her vision is to create art that not only captivates the viewer visually, but also sparks a deeper emotional and intellectual connection.
VISION
Her mission is to challenge the traditional boundaries of metalworking and to push the limits of what can be achieved with this medium. She is constantly experimenting with new techniques and materials to create innovative and striking pieces of art.
Overall, Anna Boglárka's work is a testament to her creativity, skill, and passion for pushing the boundaries of metal art. Her pieces are not only visually stunning, but also thought-provoking and emotionally resonant, making her a truly unique and talented artist.
Growing (2024)
patinated aluminium
30 x 10 x 10 cm
Smouldering I. (2023)
acrylic, resin, ash, sand, iron
124 x 110 x 30 cm
Nodule (2022)
patinated bronze
15 x 15 x 8 cm
Impact (2024)
patinated aluminium
20 x 38 x 20 cm
Smouldering II. (2023)
acrylic, resin, salt
100 x 20 x 20 cm
Composition of Three (2022)
patinated aluminium
30 x 30 x 30 cm
TOP
Growing (2024)
patinated aluminium
30 x 10 x 10 cm
Nodule (2022)
patinated bronze
15 x 15 x 8 cm
Impact (2024)
patinated aluminium
20 x 38 x 20 cm
Composition of Three (2022)
patinated aluminium
30 x 30 x 30 cm
Smouldering I. (2023)
acrylic, resin, ash, sand, iron
124 x 110 x 30 cm
Smouldering II. (2023)
acrylic, resin, salt
100 x 20 x 20 cm
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(Anna's Waitlist)
Find the price by color
suggested for: living room, hallway, office, garden
Theme and Symbolism
Anna’s works were all inspired by natural forms. However, her aim was not to enlarge faithfully, but to evoke, amplify and further shade the thought contents and associations that the forms carry.
“For these works, I took as a basis the principle of organizing the funnel forms of the clitocybe mushrooms, their shape and colonies. Here, playing with the "found" form is still exciting, without any particular content. In the beginning, I worked with ephemeral materials (cardboard and textiles), then with cast metals (bronze, aluminum). I was most interested in two aspects of these small sculptures; on the one hand, precise funnels, their regular joining possibilities, and on the other hand, the assembly of softer, deformable elements and their effect on each other. In the former case, more constructive, geometric compositions were created, and from the deformed funnels, much more resolved and organic works were born. However, in most works, these two approaches are mixed, from certain points of view, soft forms dominate, but regular edges and axes stand out when going around the plastics.”
(Read artist profile)
Close this artwork
Find the price by color
suggested for: living room, hallway, office, garden
Theme and Symbolism
Anna’s works were all inspired by natural forms. However, her aim was not to enlarge faithfully, but to evoke, amplify and further shade the thought contents and associations that the forms carry.
“For these works, I took as a basis the principle of organizing the funnel forms of the clitocybe mushrooms, their shape and colonies. Here, playing with the "found" form is still exciting, without any particular content. In the beginning, I worked with ephemeral materials (cardboard and textiles), then with cast metals (bronze, aluminum). I was most interested in two aspects of these small sculptures; on the one hand, precise funnels, their regular joining possibilities, and on the other hand, the assembly of softer, deformable elements and their effect on each other. In the former case, more constructive, geometric compositions were created, and from the deformed funnels, much more resolved and organic works were born. However, in most works, these two approaches are mixed, from certain points of view, soft forms dominate, but regular edges and axes stand out when going around the plastics.”
Close this artwork
(Read artist profile)
Find the price by color
suggested for: living room, hallway, office, garden
Theme and Symbolism
Anna’s works were all inspired by natural forms. However, her aim was not to enlarge faithfully, but to evoke, amplify and further shade the thought contents and associations that the forms carry.
“In these works, seeds and fruits were the starting point, but here I was much more interested in emphasizing the intellectual content. The two forms only remind us of the image of natural forms. Looking into the opening cut in the bodies of the sculptures, the viewer can see salt and ash, which evoke the thoughts of life and death and infertility.”
Close this artwork
(Read artist profile)
Find the price by color
suggested for: living room, hallway, office, garden
Theme and Symbolism
Anna’s works were all inspired by natural forms. However, her aim was not to enlarge faithfully, but to evoke, amplify and further shade the thought contents and associations that the forms carry.
“For these works, I took as a basis the principle of organizing the funnel forms of the clitocybe mushrooms, their shape and colonies. Here, playing with the "found" form is still exciting, without any particular content. In the beginning, I worked with ephemeral materials (cardboard and textiles), then with cast metals (bronze, aluminum). I was most interested in two aspects of these small sculptures; on the one hand, precise funnels, their regular joining possibilities, and on the other hand, the assembly of softer, deformable elements and their effect on each other. In the former case, more constructive, geometric compositions were created, and from the deformed funnels, much more resolved and organic works were born. However, in most works, these two approaches are mixed, from certain points of view, soft forms dominate, but regular edges and axes stand out when going around the plastics.”
Close this artwork
(Read artist profile)
Find the price by color
suggested for: living room, hallway, office, garden
Theme and Symbolism
Anna’s works were all inspired by natural forms. However, her aim was not to enlarge faithfully, but to evoke, amplify and further shade the thought contents and associations that the forms carry.
“In these works, seeds and fruits were the starting point, but here I was much more interested in emphasizing the intellectual content. The two forms only remind us of the image of natural forms. Looking into the opening cut in the bodies of the sculptures, the viewer can see salt and ash, which evoke the thoughts of life and death and infertility.”
Close this artwork
(Read artist profile)
Find the price by color
suggested for: living room, hallway, office, garden
Theme and Symbolism
Anna’s works were all inspired by natural forms. However, her aim was not to enlarge faithfully, but to evoke, amplify and further shade the thought contents and associations that the forms carry.
“For these works, I took as a basis the principle of organizing the funnel forms of the clitocybe mushrooms, their shape and colonies. Here, playing with the "found" form is still exciting, without any particular content. In the beginning, I worked with ephemeral materials (cardboard and textiles), then with cast metals (bronze, aluminum). I was most interested in two aspects of these small sculptures; on the one hand, precise funnels, their regular joining possibilities, and on the other hand, the assembly of softer, deformable elements and their effect on each other. In the former case, more constructive, geometric compositions were created, and from the deformed funnels, much more resolved and organic works were born. However, in most works, these two approaches are mixed, from certain points of view, soft forms dominate, but regular edges and axes stand out when going around the plastics.”
Close this artwork
(Read artist profile)
Find the price by color
suggested for: kids room, kitchen, bathroom
Theme and Symbolism
Anna’s works were all inspired by natural forms. However, her aim was not to enlarge faithfully, but to evoke, amplify and further shade the thought contents and associations that the forms carry.
“For these works, I took as a basis the principle of organizing the funnel forms of the clitocybe mushrooms, their shape and colonies. Here, playing with the "found" form is still exciting, without any particular content. In the beginning, I worked with ephemeral materials (cardboard and textiles), then with cast metals (bronze, aluminum). I was most interested in two aspects of these small sculptures; on the one hand, precise funnels, their regular joining possibilities, and on the other hand, the assembly of softer, deformable elements and their effect on each other. In the former case, more constructive, geometric compositions were created, and from the deformed funnels, much more resolved and organic works were born. However, in most works, these two approaches are mixed, from certain points of view, soft forms dominate, but regular edges and axes stand out when going around the plastics.”
(Read artist profile)
Find the price by color
suggested for: kids room, kitchen, bathroom
Theme and Symbolism
Anna’s works were all inspired by natural forms. However, her aim was not to enlarge faithfully, but to evoke, amplify and further shade the thought contents and associations that the forms carry.
“For these works, I took as a basis the principle of organizing the funnel forms of the clitocybe mushrooms, their shape and colonies. Here, playing with the "found" form is still exciting, without any particular content. In the beginning, I worked with ephemeral materials (cardboard and textiles), then with cast metals (bronze, aluminum). I was most interested in two aspects of these small sculptures; on the one hand, precise funnels, their regular joining possibilities, and on the other hand, the assembly of softer, deformable elements and their effect on each other. In the former case, more constructive, geometric compositions were created, and from the deformed funnels, much more resolved and organic works were born. However, in most works, these two approaches are mixed, from certain points of view, soft forms dominate, but regular edges and axes stand out when going around the plastics.”
(Read artist profile)
Find the price by color
suggested for: kids room, kitchen, bathroom
Theme and Symbolism
Anna’s works were all inspired by natural forms. However, her aim was not to enlarge faithfully, but to evoke, amplify and further shade the thought contents and associations that the forms carry.
“For these works, I took as a basis the principle of organizing the funnel forms of the clitocybe mushrooms, their shape and colonies. Here, playing with the "found" form is still exciting, without any particular content. In the beginning, I worked with ephemeral materials (cardboard and textiles), then with cast metals (bronze, aluminum). I was most interested in two aspects of these small sculptures; on the one hand, precise funnels, their regular joining possibilities, and on the other hand, the assembly of softer, deformable elements and their effect on each other. In the former case, more constructive, geometric compositions were created, and from the deformed funnels, much more resolved and organic works were born. However, in most works, these two approaches are mixed, from certain points of view, soft forms dominate, but regular edges and axes stand out when going around the plastics.”
(Read artist profile)
Find the price by color
suggested for: kids room, kitchen, bathroom
Theme and Symbolism
Anna’s works were all inspired by natural forms. However, her aim was not to enlarge faithfully, but to evoke, amplify and further shade the thought contents and associations that the forms carry.
“For these works, I took as a basis the principle of organizing the funnel forms of the clitocybe mushrooms, their shape and colonies. Here, playing with the "found" form is still exciting, without any particular content. In the beginning, I worked with ephemeral materials (cardboard and textiles), then with cast metals (bronze, aluminum). I was most interested in two aspects of these small sculptures; on the one hand, precise funnels, their regular joining possibilities, and on the other hand, the assembly of softer, deformable elements and their effect on each other. In the former case, more constructive, geometric compositions were created, and from the deformed funnels, much more resolved and organic works were born. However, in most works, these two approaches are mixed, from certain points of view, soft forms dominate, but regular edges and axes stand out when going around the plastics.”
(Read artist profile)
Find the price by color
suggested for: kids room, kitchen, bathroom
Theme and Symbolism
Anna’s works were all inspired by natural forms. However, her aim was not to enlarge faithfully, but to evoke, amplify and further shade the thought contents and associations that the forms carry.
“In these works, seeds and fruits were the starting point, but here I was much more interested in emphasizing the intellectual content. The two forms only remind us of the image of natural forms. Looking into the opening cut in the bodies of the sculptures, the viewer can see salt and ash, which evoke the thoughts of life and death and infertility.”
(Read artist profile)
Find the price by color
suggested for: kids room, kitchen, bathroom
Theme and Symbolism
Anna’s works were all inspired by natural forms. However, her aim was not to enlarge faithfully, but to evoke, amplify and further shade the thought contents and associations that the forms carry.
“In these works, seeds and fruits were the starting point, but here I was much more interested in emphasizing the intellectual content. The two forms only remind us of the image of natural forms. Looking into the opening cut in the bodies of the sculptures, the viewer can see salt and ash, which evoke the thoughts of life and death and infertility.”
(Read artist profile)
